pulling it out, and returning it) alters the dioptre adjustment, so I've now stuck a piece of thin tape over the adjuster. One problem I've found with the viewfinder on the X900, is that opening and closing it (i.e. BUT, the 50x zoom is sharp - if I can deal with wind causing tripod vibration which seems to be too high a frequency for the OIS to deal with. However, it doesn't have a viewfinder, which I always use on the other two camcorders, and even with its new LCD display set to brightest, it's near useless in bright conditions. So, when a few days ago I spotted a used Panasonic HC-V510 (50x optical zoom) being offered, I jumped at the chance. They're both in use, mainly for wildlife, and a longer zoom is always useful, as I'm not into moving a hide towards the bird etc. My earlier FullHD purchases were a Canon HF G30 (20x zoom), and a Panasonic X900 (12x zoom). I've just bought my first FullHD camcorder without a viewfinder. Spending $800 in 1998 is about like spending $1200 today, in terms of the U.S. Back int he day when Hi-8 was still a decent option, I think we paid about $800 for a Canon, a good model but not the top of the line. (5) I don't think too many pros consider $900 to be the price of a pro camcorder. (4) At the moment it looks like the cheapest camcorder with a viewfinder is the $649 Panasonic HC-X920 ( ). So really, to get a viewfinder, you have to move up at least to a bridge camera. But evidently most people don't agree with us, at least enough to justify the extra cost and size. I really like having a viewfinder for some types of shots and in some conditions, using a viewfinder is much easier. (3) Very few compact P&S cameras have viewfinders any more. So if you want to follow any action in your video, you probably need a dedicated camcorder. (2) I suspect that by and large the auto-focus system in the dedicated camcorders are much better than the auto-focus systems used for shooting video with P&S cameras. So if you want to set it up to record the whole school concert or play or ballgame or whatever without your manually restarting it, you need a dedicated camcorder. (1) All P&S will have a clip length limit of 29:59. When comparing modern P&S cameras and camcorders: Surly I don't have to spend a grand, just to get a viewfinder and a zoomable lens. Heck I bought a DBpower SJ4000 Sports cam for $60 that takes astounding HD 1080p video. Consumer level in my opinion would be $300 or less. That is budget pro level at that price (at best). Is their a decent consumer level camcorder that has a viewfinder (eyepiece)? When I do a search, I find cameras in the $900 and up range. What are the pros and cons (if any) of these form factors when it comes to video.Ģ. Are modern P&S cameras that can do both pictures and video as good as a dedicated camcorder? I see a lot of cameras that look like DSLRs (but are actually Point and Shoots), that boast of HD video and have zoomable lenses up to 60x optical, and I can actually find very few models of real Camcorders anymore (so maybe there is no need for them anymore). I don't know who came up with this idea of LCD screens (only) for video cameras, but I have a few choice words for them.ġ. The problem I have run into is that I can't find a consumer level camera with a viewfinder. But I want to get something that can film in 1080P quality now that has zoom capabilities (I have a sports cam, but it's fixed at 170 degrees). My last camcorder was a Sony DCR-TRV350 Hi8. Many previously released ARRI camera accessories for the ALEXA Mini are fully compatible with the studio set.It has been a really long time since I bought a video camera. The Rear Accessory Bracket RAB-1 offers flexible attachment options for the Power Splitting Box Mk II, a power distribution unit available in Gold Mount and V-Mount versions, while the Side Accessory Bracket SAB-1 provides a simple interface for mounting accessories towards the rear of the camera. This allows for rapid, tool-less transitions between configurations - for example from TRINITY, MAXIMA, or Steadicam stabilizers to tripod heads or an operator’s shoulder. It's core is the ARRI Compact Bridge Plate CBP-1, a base plate with integrated sliding bridge plate and shoulder pad. Therefore, ARRI has developed a studio set for ALEXA Mini. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule. As a result, it is frequently moved from one configuration to another. The compact and lightweight ALEXA Mini is a highly versatile tool on set. In some productions it is used as a second or third camera, while in others it is the main camera throughout a shoot.
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